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The characters are as follows, Adah, Horatio, Elijah, Celia, Kaliban, Cardi (no, not B.), and Zola. The younger versions of these classic characters will lead the film that is said to be a sequel that will also explore the origin of Mufasa, which this casting breakdown only confirms.Дisney is also looking to cast actors for brand new characters not shown in the previous incarnations of the various Lion King films.

For both of these characters, the studio is looking for young actors to play the characters between the ages of 8 and 13. The studio is currently casting for actors to play the roles of young Scar and Mufasa. Via Charlie Quigg, here's a DisInsider article that purports to have some insight into a few of the new characters that will be filling out the cast along with young Mufasa and Scar: But the Reddit post linked above has a lot more bits and pieces cobbled together to summarize what we know so far. That quote is from a linked article on Kelvin Harrison, slated to play the younger Scar. I love the villains - Maleficent, Scar, Jafar - theyвЂ™re so much more fun to play. TheyвЂ™re cool but someone else can do that. The secrecy surrounding the project is so tight that he canвЂ™t yet shed any light on JenkinsвЂ™ vision for the Pride Lands, but the original, which вЂњcame out the year I was born,вЂќ was a big part of his childhood, and heвЂ™s excited to become вЂњa Disney villain - technically a princeвЂ¦ IвЂ™m not a fan of heroes. Last summer, the studio confirmed that Harrison will voice a younger version of Scar, MufasaвЂ™s nefarious brother, in a new Lion King film, directed by Oscar winner Barry Jenkins. 'Then thereвЂ™s the small matter of a certain Disney prequel. But at the end of the day, if I ever want to see The Lion King again, I'm going to watch the original.A Reddit post purports to show leaked information that director Barry Jenkins has some concrete plans for the upcoming followup to the 2019 CGI TLK remake: I ultimately give it a moderately positive review becauseвЂ¦damnit it's still The Lion King, and yeah there were enough things it did right. It's these narrative moments that make the film work. Yes the visuals are nice, but the animals don't show the personality like they did in the animation because Lions can't cry/smile/laugh in real life so what were left with is a really pretty Disney Nature CGI-fest. It's expansions like this where the film does its own thing where it really shines.

I also liked how their home is inhabited by other animals and it shows how Simba became part of that community in his exile. They even have a new philosophy and debate on Hakuna Matata versus Circle of Life that's actually genuinely interesting. They were allowed to improvise and give their own spin with new lines and humor. They're essentially the same sort of characters, but Billy Eichner and Seth Rogen bring their own personality to them. A lots been made of Timon and Pumbaa in this movie, and rightfully so, they're one of the few things that is expanded and made to live on their own. However, when it's doing it's own thing, it actually kinda' works.

It was different artists with different visions. It lives under the shadow of the original often doing things because 'the original did it' without really seeming to have an understanding of why that worked in the original. That's this films biggest flaw, and it really did bother me. Look I'm not saying it needs to be a shot for shot remake, but if you are going to go through the effort of doing the exact same scenes, either do them better, or do them at least as good, don't just rush through them to check off a box. Here, he just kinda looks at it, sniffles a bit, and the scene moves on. I remember in the original there was time dwelling on Simba looking at the body and begging for Mufasa to get up. Most notably, Mufasa's death scene (spoiler's I guess) feels weirdly rushed. The weird thing is despite being longer a lot of times it feels like it's rushing through the beats of the original. Really, there is a lot to admire about the movie, but still it can't escape the shadow of the original.

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